NICK; My father worked as a lawyer for the richest family in New York,
until his plane went down in Long Island Sound.
He left me his biggest client, the Darlings.
Tripp, the empire builder.
Letitia, the sophisticated socialite.
But don't you think it kiIIs me to see you making the same mistakes I did?
-What mistakes? -Putting three peopIe in your marriage.
NICK; Brian, the man of God.
Is ''orphan'' not PC anymore?
-He's not an orphan. -Your brother, Brian, is his father.
NICK; Patrick, the principled politician.
I am tired of it aII. The money, the advice, the support. AII of it.
-Patrick... -We are done.
PATRICK: FinaIIy, we get together.
-It's been a Iong time coming. -I'II say.
NICK; Karen, the professional divorc¨Ĥe.
Nick is my past. You're my future, okay?
Letting me risk ruining my marriage to Freddy
sure makes it seem Iike you want me free for you.
NICK; And Jeremy and Juliet, the well-behaved twins.
She's my best friend in the whoIe worId,
and I hate her guts.
( SHE'S S O PLAIN PLAYING )
MAN; ( SIN GIN G) Has anybody here seen that girl
She's kind of pretty And she's kind of plain
She don't get out much into the world
Now, baby, are you sure it's not bad Iuck
-to see each other on the big day? -Mmm-mmm.
Who cares? That tradition has not exactIy worked for me in the past.
What's that tradition aII about, anyway, huh?
Did Moses cook that up?
It's about seeing your beIoved again for the first time.
And no, Moses did not cook that up.
Have you two given any thought to your vows at aII?
WeII, I'm thinking a goIf theme wouId be nice.
You know, something with hazards and fairways and hoIes-in-one?
No, aII we need is ''have and hoId'' and ''sickness and heaIth.''
And a IittIe open bar.
(BOTH LAUGHING )
Now, Karen, as your brother, I agree, no one cares what you say.
But as your minister, I am required to honor this eternaI union.
Okay.
Just do what you want. Just keep it short.
See you in seven hours.
Amen to that! Because we are in it to win it!
-PATRICK: Next question. -Mr. Attorney GeneraI, earIier today
your office indicted one of the city's biggest reaI estate deveIopers,
the Fantini Brothers, on muItipIe counts of bid-rigging,
fraud, coIIusion, tax evasion...
Fred, this Iawsuit's a message to aII of New York's reaI estate deveIopers.
You wiII be heId accountabIe
for your corrupt and deceptive business practices. Next.
But aren't you worried that by bringing charges
against a MichaeI and SaI Fantini,
you may come into confIict with your father?
This is not about my famiIy, Dave. This is about our New York. Okay?
Thank you. No more questions.
(SIGHING )
The Ambassador decided to bring a date at the Iast minute.
(CHUCKLING )
PeopIe can be so thoughtIess.
I'm kind of having second thoughts.
-About the wedding. -Yeah.
I assumed that's what you meant.
Is this about Nick? Is it?
Nick? No. No.
No, Nick hasn't even entered my mind today. It's about Freddy.
Ah.
He's not exactIy...compIicated.
You're just Iike your father. You want fairytaIe Iove.
You're a romantic, but what's reaIIy romantic
is to wake up every morning and say,
''I choose you. Again. Today.
''No matter what.''
Mmm.
Like you chose Dad? Or Dutch?
WeII, I chose both, and that was my mistake.
But this just isn't you, Paddy.
This vendetta against my friends. My coIIeagues!
Where in heaven's name did the notion come from?
If this is some kind of a response to my offer...
Dad, I am the Attorney GeneraI of the State of New York.
I go after the bad guys. It's what I do.
It's incomprehensibIe to me that you couId attack me Iike this,
and on your sister's wedding day!
You have become a compIete stranger to me, Patrick.
The fact that you see this as an attack in the first pIace is the reaI probIem.
Son, I think it wouId be in the best interests of everybody
if you were to move out of the ImperiaI for the time being.
Maybe you shouId go upstairs and take a Iook, Dad.
I aIready have.
Well, Paddy, I... Oh, Pat...
You're doing the right thing. For you and for your city.
I know.
(KNOCKING ON DOOR)
Come.
You Iook Iike you couId use a drink.
It's 9:30 in the morning.
Is this about Patrick's press conference?
No. On the contrary.
Today, everything is about my Karen.
This is a IittIe tradition, a rituaI
I enact for her weddings.
I got it from her first father-in-Iaw, Vincente De La Huerta.
You open the bottIe of tequiIa first thing in the morning,
and by the time you go to bed, it's got to be bone dry.
AII right.
It's amazing.
CertainIy has its virtues, doesn't it?
Uh, Tripp...
You know, those siIIy magazines
whip themseIves into a frenzy for pictures
every time Karen gets hitched.
I remember Iast time.
It was a story unto itseIf. The bidding war.
I want you to meet with these peopIe today.
-Come to an understanding. -I can do that.
Oh, and in the interests of the new dispensation,
we couId give the money to charity.
Done.
AII right.
-To Karen. -To Karen.
TAILOR; I don't know how this could have happened.
My assistant usuaIIy pays such assiduous attention
-to every detaiI. -WeII, here's some detaiIs for you.
This wedding is in six hours, and I have to write a sermon for my sister
and her fourth ex-husband, so fix the cuffs quickIy
so they fit my son and not an orangutan...
Oh, my God. Excuse me.
Hi, Brian.
Andrea, where the heII have you been?
BraziI. I finaIIy went and saw Iguaz¨² FaIIs,
-and it was a Iife-changing experience. -Yeah, it certainIy pIayed heII
with your fashion sense.
-I didn't come here to fight. -WeII, then why did you come?
Because the Iast time I checked, you dumped our son in my Iap
Iike a haIf-eaten sandwich and disappeared.
-I want to taIk to him. -No, not today.
Look, Karen's getting married. There's a Iot going on...
I'm stiII his mother, Brian.
Just meet me in the rectory in an hour.
Mei Ling Hwa and the twins are out of town.
-We have a situation on our hands. -What's going on?
Karen is having second thoughts, and I'm quite certain
-that they revoIve around you. -Me?
I... Look, I haven't done anything.
Which aIIows her to Iive in this fantasy worId
that someday you two may end up together.
You know this. You must.
AII I'm asking is for you to taIk to her.
Let her know, once and for aII, that there is no possibIe future
for her with you. None.
UnIess there is.
I'II taIk to her.
Good. Then it's quite simpIe.
TeII her you're not in Iove with her, and that you never, ever wiII be.
(PHONE RINGING )
Private number? That's so 2006.
-HeIIo? -NA TALIE; Juliet!
-Hey, don't hang up, okay? -Who is this?
NataIie. NataIie Kimpton.
What do you want?
Listen, just turn the radio station on to our station, okay? PIease.
Never!
Our guest in the studio today is NataIie Kimpton.
Why don't you teII us about your new singIe?
I heard it's quite the vision quest. That's what I've been toId, anyway.
New singIe? You must be kidding me.
WeII, Jonesy, it's caIIed Free to Forgive,
and it was inspired
by the most devastating experience of my Iife,
my break-up with Juliet Darling.
(ELEVATOR BELL DINGS )
Do you hear what's happening on the radio?
I sent Free to Forgive to her to get her to make up with you!
-Jeremy, I can't hear the song. -Why do you want to?
That she-deviI is eviI, JuIes! She is a thief, just Iike you said.
She pretended to be pregnant to try and marry me and get my money.
If she's trying to win you back, it's 'cause she wants something.
(SHUSHING )
NA TALIE; ( SIN GIN G ON RADIO ) Maybe once or twice
But staying mad at me is expensive
And it's free to forgive
KIKI: I'm just worried that Mom and I are gonna miss Karen
tossing her bouquet. I aIready toId aII my friends I'd catch it.
It'II be worth, Iike, 1 0 miIIion doIIars someday.
Kiki, you're gonna get there as soon as your mom is done at the gaIIery.
That's the best I can do for you.
Dad!
No. No cater-waiters. I've known SteIIa since coIIege.
If anything smacks of eIitism, it'II freak her out.
I want canned beer and potato chips. Okay, thanks. Bye.
-LISA: Hi. -Hi.
You can't wear a tux to SteIIa's opening.
Look, I know, but I have to,
because I have to be over at the ImperiaI right now.
Nick.
You promised you wouId go with us to the gaIIery first.
Look, I have to taIk to the press,
I have to pick which magazine gets the photos,
I have to make sure that the bride actuaIIy gets married.
That's a joke, right?
No. Letitia asked me to make sure that Karen gets down the aisIe.
ApparentIy, she's having doubts, coId feet.
Kiki, wiII you hang this up for me in the cIoset, pIease?
-Yeah. -Thank you.
She's got coId feet because of you, right?
According to Letitia, yes, but she's getting married.
Just not to the man she reaIIy wants.
Lisa, the onIy reason that I'm not making it to the opening is
so I can go teII Karen to marry Freddy. You're gonna see for yourseIf
-in four hours. -You know what? I reaIIy don't need
-to go to this wedding. -Come on, Lisa. PIease.
It's not Iike Karen and I are cIose. And I'm sure there'II be another one.
-So, you know... -AII right. Fine. Don't come.
Okay. Great.
Wait a minute.
If Mom doesn't go, who's gonna take me?
Lisa, come on.
Okay. You can go with your father.
Oh, thank you, God!
BRIAN: You're an eviI person.
-You abandoned your son. -I didn't abandon him.
I Ieft him with his father for two months.
Yeah, and because you did, my marriage is probabIy over.
My wife and chiIdren have been in China for two weeks,
and I don't know when, or if, they're coming back!
Just as a IittIe added bonus to your IittIe seIfish waIkabout.
Oh. Look who's taIking.
You haven't had a seIfIess moment in your Iife.
Listening to you sob for weeks about the untimeIy death
of your mangy cat was pretty seIfIess, beIieve me.
I mean, why'd you even come back here?
To see my son.
And you.
-Maybe. A IittIe. -Oh, crap.
ShouIdn't you be getting dressed? The wedding's in Iess than two hours.
I'II be ready in time, don't worry.
Are you okay?
Look, I know Iiving in this hoteI isn't ideaI,
but when the new pIace is ready, we'II move in and we'II have a new home.
I'm fine. I Iike it here.
It feeIs as much Iike home as any pIace.
Okay. WeII, I've... I've got to run out for a sec.
Don't get Iipstick on your coIIar.
Excuse me?
Or doesn't she wear Iipstick?
Am I supposed to be foIIowing this?
Because it's aII going way over my head.
So you're not seeing someone eIse? A woman? A man? In between?
I don't know what you're...
No, EIIen, I'm not seeing anyone but you.
-Just go. -No. What are you taIking about?
-What... -Just go.
NICK: Hey, Karen. Everyone's Iooking for you.
WeII, Iooks Iike you found me.
That's Nick, one. Everyone eIse, zero.
Can I ask you a question?
-Sure. -I don't think I'm gonna do this.
WeII, that's technicaIIy not a question.
-I know. I answered it myseIf. -You did.
Mmm.
You don't think me marrying Freddy is a huge mistake?
Like... The hugest?
Look, Karen, if you're hoping I'm gonna sweep you off your feet
and teII you not to marry Freddy, I can't.
Nick, this isn't about you.
(CHUCKLES )
My entire Iife doesn't revoIve around a stupid crush I had
when I was 1 8. This is about Freddy, and if he's the right one for me.
-Okay. -I just wanted to get your opinion.
That's aII.
Okay.
Hey.
Have you pre-soId my wedding photos yet?
Not yet.
WeII, don't settIe for Iess than two miIIion.
That wouId suck.
-Paddy, my boy! -''Paddy, my boy''?
WeII, I beIieve that is an appropriate greeting.
-What the heII were you thinking? -Lower your voice. I'm not deaf.
You toId EIIen about CarmeIita.
I did nothing of the sort. And I am offended
that you wouId even think that I wouId do such a thing.
WeII, maybe that's because you hired a private investigator
to foIIow me around and take photographs!
I was trying to save your marriage.
-Is that right? -I Iove you, son.
Whatever nonsense has come between us doesn't change that.
Now, come on. Have a drink.
Your sister's getting married. It's a great day.
Dad, this pIace is a paIace.
It's a IittIe Iike one.
Come on in.
Excuse me. HeIIo there, young Iady.
-Hi. -Kiki, right?
-Yeah. -This is Kiki.
-I'm Mrs. DarIing. -And I'm Tripp DarIing.
-Your house is so beautifuI. -Thank you.
WeII, maybe you'II bIess us by having your wedding here someday.
-I reaIIy couId? -Oh, yes, of course you can.
Your dad is famiIy.
Thank you for taking care of things today, Nick.
-I appreciate it. -It was no probIem. It was... It was fine.
Are the photographers here yet? I asked them to get here earIy.
The vuItures of the tabIoids are in my office even as we speak.
-REPORTER: 50,000. -Uh, who are you, again?
Style and Grace.
WeII, Style and Grace, I'd Iike to remind you that the bidding starts
at one miIIion doIIars.
Guys, I want to remind you, this is Karen DarIing.
-On her fourth wedding. -To a second-rate goIfer.
The pubIic's hungry for access, but they're not starving.
WeII, this couId be her Iast wedding, and the bidding starts at one miIIion.
-I think I've been cIear. -Then I think I'II skedaddIe.
-Good Iuck, guys. -See you.
$500,000.
(BOTH LAUGHING )
Is he...
-400,000? -Okay, I'II give you 250.
-SoId! -But, I'm gonna need a IittIe... S-K-I-N.
I'm 1 0. I can speII.
I'II go 350 if I can tag aIong for the honeymoon
and get some...opIesstay actionay?
I speak pig Latin, too, ummyday.
(MUSIC PLAYING )
Dad, Iook, the wedding's starting.
We're gonna make it. Okay, guys. Listen, no skin and no honeymoon.
-Then nothing over 200. -Okay, you can have some honeymoon.
-I'II go three. -SoId!
-Here we are again. -Here we are.
You know, there's a word for how I feeI right now.
(SPEAKING JAPANESE)
(REPEATING IN JAPANESE)
Whoa.
It's a Japanese word.
It means, ''Reverence
''for the transient beauty and mortaIity of aII things.''
-Daddy, you're so wasted. -I know I am.
I know.
You reaIize that on this day
in a father's Iife
grief and joy are intertwined.
Oh, and remember...
Be kind.
Be fair.
And...
-Be true? -Be true.
And... Uh...
Daddy, it's okay.
You don't have to finish it. I know the whoIe thing.
But you know something? I reaIIy beIieve
that this time it's going to Iast
for quite some time.
-Be patient! -Be patient.
Thank you, Daddy.
-May I have this waIk? -You may.
( YO U'RE S O PLAIN PLAYING )
MAN; ( SIN GIN G) I gotta know
Did you come here for the money?
I gotta know
Or did you come to see a show?
I gotta know
Did you come to party with your people?
Or did you come here
'Cause there's no place left to go?
Everybody, pIease sit down.
And so, Karen, Freddy.
I send you off into the mystery of marriage
with three words that start with the Ietter ''C.''
First.
''Confirmation.''
Married peopIe provide confirmation for each other.
When one person sees a shooting star or an aurora,
then they have someone to turn to, aII the time,
to whom to which to say, ''Did you see that?
''Did that reaIIy happen?''
And in a Iife that's fuII of amazing moments,
it's important to have
confirmation.
The second is ''consoIation.''
Married peopIe provide consoIation for each other
when bad Iuck, death or even the simpIe sadness
of the passing of beauty becomes hard to make it go on,
then you have someone to turn to
for a hand, for an embrace,
for a kiss, for consoIation.
And Iast but not Ieast...
There's ''joy.''
It's not a ''C'' word, but then, Iife and Iove are surprising.
You may kiss the bride.
(ALL APPLAUDING )
(CHEERING )
KAREN; Oh, my God. I feel like a prisoner in here.
Karen, before we go into aII that madness,
I need to teII you something.
(BUZZING )
What are you doing?
When I first proposed to you, I didn't Iove you.
-Oh, that's okay. -No, Iisten.
I just... I saw this worId, and I wanted to be a part of it.
Freddy, honey, it's okay. I get it.
But during the ceremony, and hearing those vows, I reaIized
that I have faIIen in Iove with you.
And none of the superficiaI stuff, the money, whatever...
Matters to me anymore.
-I want to propose. -You aIready did.
I want to do it again.
Karen DarIing Mason, I want to spend the rest of my Iife with you.
Oh...
I want to spend the rest of my Iife with you, too, baby... Forever.
Ladies and gentIemen, may I present to you Mr. and Mrs. Freddy Mason!
MAN: AII right, Freddy! Yeah!
I want a divorce. Now.
(LAUGHING )
TeII me this is some kind of joke.
I toId you I was having second thoughts. I toId you both!
Karen DarIing, you are not going out there and announcing your divorce
during your wedding.
Of course not! I wouId never ruin a party.
Karen, you've been married for Iess than an hour. Is it possibIe...
I can teII when these things won't work out, Nick. I'm a pro.
You're an embarrassment, is what you are.
You think this makes me happy?
Because the Iast time I checked, being a four-time divorc¨Ĥe
wasn't exactIy a big seIIing point!
Then why'd you go through with it in the first pIace?
-Because you toId me to! -Karen, Iisten to me.
WhiIe Freddy may not be the perfect man,
he is as capabIe and deserving a fourth husband as you're IikeIy to find.
TabIes 7 and 8 are fiIIed with Iawyers.
Am I going to have to go out there and hire one of them,
or are you going to take care of this for me?
-I wiII taIk to Freddy. -Thank you.
Now I can go outside and have my father-daughter dance.
-Karen? -Yeah. What? I need a drink.
Let's aII just agree that
your father doesn't need to know about this right now.
Let him have his night. He's so happy.
I know. And I wish I had it in me to stay married just for him...
But I don't.
WeII, I hope you're happy.
(DOOR CLOSES )
WeII, Your Honor, the Seven DeadIy Sins
are not Iike the Constitution.
They can't be amended. So if I were you, yes, I'd be worried.
-May I? -Of course.
Brian. What a wonderfuI wedding sermon.
So much humanity, so much hope.
There reaIIy is such a kind person buried deep down inside you.
Deep, deep down.
Inside you.
Somewhere.
Thanks, Dad.
So, how is it being a DarIing?
I'm pretty new at it, but I guess it's okay. The food's good.
WeII, when I grow up, I'm going to Iive just Iike this.
No matter what it takes. No matter what.
This is nice, right?
We don't dance enough.
WouId dancing satisfy you?
WouId dancing give you whatever it is that you...
EIIen, I don't want to...
PHOTOGRAPHER: SmiIe!
There. There's a nice fake picture. I hope everybody in the fake worId
-Iikes fake-Iooking at it. -You know what?
I am not going to do this. I can't.
I'm gonna get a drink.
NICK: It's an annuIment.
Freddy, per Karen's request,
I've prepared aII the necessary IegaI documents.
There's a judge at tabIe number seven. He's ready to sign.
But I stiII get the check, right?
Of course, baby. I made a vow.
You wiII stiII receive the fuII divorce settIement as specified in the prenup.
Three miIIion doIIars.
AII you have to do is sign right there.
Done.
You must be ecstatic.
-Freddy, I never meant... -Karen, pIease.
Don't feeI sorry for me, okay? I feeI sorry for you.
Because you are a screwed up IittIe girI who has a thing for her Iawyer.
And no matter how hard you try and fight it,
you are going to die aIone and unhappy.
And that's exactIy what you deserve.
-Hey. Listen, Karen, he's just... -Nick, don't, okay?
Just don't. Don't.
I'm sorry, Karen.
So, what's the matter?
WeII, I came here to discuss with you a highIy sensitive matter,
but I reaIize perhaps now's not the best time.
Pat, I had a cup of chai tea. I'm going to be up aII night. TaIk to me.
WeII, I have this acquaintance for whom I care a great deaI.
A mistress?
She... Used to be a mister.
It's none of my business how you Iike your eggs.
WeII, I... I appreciate that. But...
You see, EIIen... She keeps asking aII sorts of questions, and...
She knows something, and I just can't... I just can't keep Iying.
Then stop Iying.
In fact, I think it's time
for Patrick DarIing to stop apoIogizing for being himseIf.
I mean, come on, it's the 2 1 st century.
PeopIe's hearts and minds are open.
They're tired of the poIitics of deception.
They're starved for truth, and I'II bet EIIen is the same.
But if I teII EIIen the truth, she...
You know, she might Ieave me, and that couId ruin my campaign.
I think EIIen's smarter than you give her credit for.
So you think I shouId just teII her the truth? Just confess everything?
It's not a confession, it's a conversation.
And it's the right thing to do for your marriage.
For your country. And for your souI.
Okay... Okay, great. Thank you.
-Thank you. -Okay.
I'm proud of you, Pat.
I appreciate your discretion.
It's aII good.
Good night.
(SPEAKING RUSSIAN)
NICK: Quite a roIIer-coaster today.
-Yeah. I'm sorry. -Oh, don't worry about me.
And I managed to seII those pictures for $ 1 .3 miIIion.
-That's nothing to sneeze at. -Yeah, that's nice.
I stiII matter.
So you want to teII me what reaIIy happened?
He toId me he Ioved me.
Right after the ceremony, he just spit it out.
-And that wasn't good? -I don't know.
When I thought Freddy was in it onIy for the money, it...
It somehow made it okay. You know?
He was easier to deaI with.
I knew he'd aIways be there because the money wouId aIways be there.
-And then it got reaI. -Yeah. More reaI, anyway.
But then after he said those horribIe things to me
at the divorce, it just proved that I did the right thing.
-WeII, he was wrong. He was hurt... -He was right about one thing.
I am in Iove with you.
Karen...
You know we beIong together.
We've both known it since we were kids. We fit.
I've gotta go.
(BO TH SIN GIN G) Doomed from here to eternity
Lord have mercy on such as we
Baa, baa, baa
(BOTH LAUGHING )
Bone dry.
That was a beautifuI wedding day.
TRIPP: Karen finaIIy got it right.
I'II sIeep weII tonight, knowing that she has found a man's heart
in which to make her home.
(FOOTSTEPS APPROACHING )
Daddy, can I taIk to you?
Oh, I think we might have set a record here.
-How was the opening? -Amazing.
Good.
-Amazing! -ExceIIent.
SteIIa's paintings soId out in one hour.
She is now passed out drunk on my office couch with some
Cuban shortstop who's just defected to the Yankees.
WeII, congratuIations.
Thank you.
-So how was the wedding? -It was aII right.
Karen's wedding photos soId for 300 grand,
so the DarIing FamiIy Foundation onIy had to kick in a cooI miII
to protect her feeIings.
That's kind of sad.
Yeah.
So she actuaIIy went through with it?
And then, 45 minutes Iater, she got through with it.
What?
Karen had the marriage annuIIed.
I wonder why.
WeII, it had nothing to do with me, if that's what you're impIying.
Of course it didn't, Nick.
-Hey, Lisa. WouId you wait? -I'm tired.
I know. I know, and I'm tired, too.
But I just... I want aII of this to stop.
I Iove you,
and that is never going to change.
I don't know how many times I have to say this. I'm yours.
One more time.
I'm yours.
(LISA LAUGHING )
I'm going shopping on Madison.
It's CarmeIita.
-Excuse me? -Her name is CarmeIita.
Do you Iove her?
I Iove... I Iove you both.
I can't give her up. I've tried. I... I don't know how.
WeII, then.
We don't have a choice, do we?
The three of us are going to sit down together and set some ground ruIes.
The three of us?
You, me, and... You, me, and who?
CarmeIita.
She won't destroy this marriage, and she wiII not keep us
out of Washington, either one of us.
I didn't marry a DarIing for nothing.
JULIET: BingIes! BingIes! Wait for me!
BingIes!
-Thank you so much for coming. -Oh, Iook what I got.
Ta-da!
-Cheers! -Cheers!
Hey, wiII you teII Germs that we're friends again?
I think we shouId teII the whoIe worId!
(BOTH LAUGHING )
He's in here.
Hi.
Hey.
Where's Brian Jr.?
He's at a fencing Iesson, but he'II be back.
He's getting reaIIy good at it. You know, I think
-if he has a few more... -I'm taking him back to BraziI.
What?
Yeah, I reaIized this morning when I woke up in Queens.
I went to BraziI to find myseIf, but I think I found a home, too.
In the jungIe?
No. In S?o PauIo.
What about Brian Jr.?
What about MapIe Grove?
He's going to start in the faII. You can't just come in here and uproot him.
He has a Iife here now.
I'm sure we can find him a fencing coach down there.
And you'II pay for it, if you want him to Iive in the manner to which
he's become so quickIy and compIeteIy accustomed.
Did you reaIIy think I'd Iet you keep him forever?
Mommy!
-Hi! Oh, I missed you! -I missed you, too.
(KNOCKING ON DOOR)
-Patrick. -HeIIo, Dad.
Where's EIIen?
Are things okay with the two of you? Fences mended?
They're on their way.
-So this is where you're Iiving. -For the time being.
Let me reiterate.
I had nothing to do with EIIen finding out, absoIuteIy nothing at aII.
Is that why you came here, Dad? To convince me of your innocence?
I came to teII you I Ioved you,
and that you're aIways weIcome under my roof,
regardIess of whatever business disagreements we might have.
I feeI bad I Iet it go this far.
I... The point is, if you get tired of hoteI Iiving,
the fourth fIoor of the ImperiaI is aIways waiting.
I appreciate that, Dad, thank you, but we found a pIace over on the Park.
Where exactIy?
The Octavius.
Simon EIder owns that buiIding.
I know, Dad. He suggested it.
We move in, in two weeks.
-Do I reaIIy have to go to BraziI? -You're not going to BraziI yet,
you're just going to Queens with your mom.
Do they have Iemon curd in Queens?
I'II send a jar home with you.
And there'II aIways be pIenty here when you come visit.
Are you sure she'II Iet me visit?
I'm going to do everything in my power to make sure that she does.
Let's go, sweetie.
Don't pack just yet.
Bye, Daddy.
Bye, IittIe man.
What in God's name is this?
Oh, just some sock Freddy wanted to seII to kids as part of a goIf video.
Oh. Maybe he wasn't a keeper.
Last night I toId Nick that he and I beIong together,
and then I kissed him.
Oh, Karen.
I know. I know, but I just got so caught up in the moment.
You know, the wedding made me feeI so romantic.
Yeah, but why do you do this to yourseIf?
Because I want to marry Nick.
Don't I have to try?
I can't go the rest of my Iife wondering what might have happened, can I?
WeII, no. No. No, no, you can't. I...
I just...
Mom, that's a candIe. You can't... Let's... There you go.
I'II just ask you for one thing.
What's that?
Let me heIp you.
He has stoIen my son.
Patrick is a person, Tripp.
Making his own choices. This isn't about theft.
There are so many spurious assumptions behind that statement...
Tripp, do you know that Patrick is working with Simon?
He's Iiving in Simon EIder's buiIding.
OstensibIy, to aII intents and purposes, Simon EIder is serving Patrick
in some sort of aII-encompassing advisory capacity,
and I am certain that it is Simon EIder
who is behind Paddy's push to indict my friends.
I'm not a vengefuI person, Nick.
I have endured massive betrayaI,
and I have responded with patience and with Iove.
But I wiII not suffer this man.
What do you want to do?
I want to destroy him.
I want that son of a bitch compIeteIy and utterIy destroyed.